Walk out from the "zoo" -- Talk with Xie Shuchang
Country/Region:
China Mainland
Release Year: 2022
Release Year: 2022
Story:
Xie Shuchang, an independent filmmaker, said in his memoir of "Yunyang" that he is not only the operator standing behind the camera, but also the performer standing in front of the camera. Through the continuous pursuit of the possibility of the relationship between sound and painting, to explore the tension between the body and space of the characters. As a matter of fact, the original material for "Per Song" and "Yunyang" was shot at the same time. In the process of dynamic creation, Xie Shu was interested in how to transform real experience into cinematic experience. He pondered how dialogue and action were shot, probing the boundaries between fiction and nonfiction in film storytelling. Different work processes and techniques of expression are all paths of "seeking truth". He invites the audience to "see" with him, focusing their eyes and feeling with their hearts.
Xie Shuchang, an independent filmmaker, said in his memoir of "Yunyang" that he is not only the operator standing behind the camera, but also the performer standing in front of the camera. Through the continuous pursuit of the possibility of the relationship between sound and painting, to explore the tension between the body and space of the characters. As a matter of fact, the original material for "Per Song" and "Yunyang" was shot at the same time. In the process of dynamic creation, Xie Shu was interested in how to transform real experience into cinematic experience. He pondered how dialogue and action were shot, probing the boundaries between fiction and nonfiction in film storytelling. Different work processes and techniques of expression are all paths of "seeking truth". He invites the audience to "see" with him, focusing their eyes and feeling with their hearts.
Casts & Crews:
Shuchang Xie
Directors
Runtime:
60
minutes
Subtitles:
None
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Casts & Crews
Shuchang Xie
Director
Story:
Xie Shuchang, an independent filmmaker, said in his memoir of "Yunyang" that he is not only the operator standing behind the camera, but also the performer standing in front of the camera. Through the continuous pursuit of the possibility of the relationship between sound and painting, to explore the tension between the body and space of the characters.
As a matter of fact, the original material for "Per Song" and "Yunyang" was shot at the same time. In the process of dynamic creation, Xie Shu was interested in how to transform real experience into cinematic experience. He pondered how dialogue and action were shot, probing the boundaries between fiction and nonfiction in film storytelling. Different work processes and techniques of expression are all paths of "seeking truth". He invites the audience to "see" with him, focusing their eyes and feeling with their hearts.