Issue 71 | In the Realm of the Senses: sensation, desire, and sexual affect
Release Year:
2020
Publish Date: 31 December 2020 11:00:00 UTC
Story:
We live in reality, yet we are not content with it. Since its advent, film has been offering its audience a filmic reality with fictionality and fantasy. Cinematic images, in turn, take part in the construction of individual dream, desire and sexuality. Cinema, then, blurs reality and fantasy, fiction and non-fiction. Subsequently, by reflecting and distorting our desires, it reorients our understanding of interpersonal and sexual relationships. Here, the emphasis on imagery raises questions about non-visual factors that also affect our perception of reality and sexual experience. With novel representational techniques entering the media realm trying to grasp the underrepresented, the manner in which fiction and non-fiction will evolve and continue to impact our notion of reality remains unknown. Ahead of its time, the 2002 film Let’s Love Hong Kong offers an insight into the dynamic between imagery and reality, as well as the dilemma of modernized human interaction. Writer, director Yau Ching will join us as guest speaker to talk about her critical engagement with the issue from a perspective of gender and sexuality within the East Asian context.
We live in reality, yet we are not content with it. Since its advent, film has been offering its audience a filmic reality with fictionality and fantasy. Cinematic images, in turn, take part in the construction of individual dream, desire and sexuality. Cinema, then, blurs reality and fantasy, fiction and non-fiction. Subsequently, by reflecting and distorting our desires, it reorients our understanding of interpersonal and sexual relationships. Here, the emphasis on imagery raises questions about non-visual factors that also affect our perception of reality and sexual experience. With novel representational techniques entering the media realm trying to grasp the underrepresented, the manner in which fiction and non-fiction will evolve and continue to impact our notion of reality remains unknown. Ahead of its time, the 2002 film Let’s Love Hong Kong offers an insight into the dynamic between imagery and reality, as well as the dilemma of modernized human interaction. Writer, director Yau Ching will join us as guest speaker to talk about her critical engagement with the issue from a perspective of gender and sexuality within the East Asian context.
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Cast
Story:
We live in reality, yet we are not content with it. Since its advent, film has been offering its audience a filmic reality with fictionality and fantasy. Cinematic images, in turn, take part in the construction of individual dream, desire and sexuality. Cinema, then, blurs reality and fantasy, fiction and non-fiction. Subsequently, by reflecting and distorting our desires, it reorients our understanding of interpersonal and sexual relationships. Here, the emphasis on imagery raises questions about non-visual factors that also affect our perception of reality and sexual experience. With novel representational techniques entering the media realm trying to grasp the underrepresented, the manner in which fiction and non-fiction will evolve and continue to impact our notion of reality remains unknown.
Ahead of its time, the 2002 film Let’s Love Hong Kong offers an insight into the dynamic between imagery and reality, as well as the dilemma of modernized human interaction. Writer, director Yau Ching will join us as guest speaker to talk about her critical engagement with the issue from a perspective of gender and sexuality within the East Asian context.